• Carolina Falkholt
    Train of Thoughts, 2017

  • William Forsythe
    Nowhere and Everywhere, 2015

  • Maria Hassabi
    PLASTIC, 2016

  • Sonia Khurana
    Logic of Birds, 2006

  • Eric Lennarth
    Miljöaktiverare,
    1987–2017

  • Éva Mag
    Hinder, 2017

  • Mammalian Diving Reflex
    These Are the People in Your Neighbourhood, 2012

  • One-Minute Sculpture, 2017

  • Peter Mills
    Den kosmiska havsträdgårdspassagen, 2017

  • Henrik Plenge Jakobsen
    If the People Have No Bread Let Them Eat Cake, 2002

  • Carolina Falkholt
    Train of Thoughts, 2017

  • William Forsythe
    Nowhere and Everywhere, 2015

  • Maria Hassabi
    PLASTIC, 2016

  • Sonia Khurana
    Logic of Birds, 2006

  • Eric Lennarth
    Miljöaktiverare,
    1987–2017

  • Éva Mag
    Hinder, 2017

  • Mammalian Diving Reflex
    These Are the People in Your Neighbourhood, 2012

  • One-Minute Sculpture, 2017

  • Peter Mills
    Den kosmiska havsträdgårdspassagen, 2017

  • Henrik Plenge Jakobsen
    If the People Have No Bread Let Them Eat Cake, 2002

  • Carolina Falkholt
    Train of Thoughts, 2017

  • William Forsythe
    Nowhere and Everywhere, 2015

  • Maria Hassabi
    PLASTIC, 2016

  • Sonia Khurana
    Logic of Birds, 2006

  • Eric Lennarth
    Miljöaktiverare,
    1987–2017

  • Éva Mag
    Hinder, 2017

  • Mammalian Diving Reflex
    These Are the People in Your Neighbourhood, 2012

  • One-Minute Sculpture, 2017

  • Peter Mills
    Den kosmiska havsträdgårdspassagen, 2017

  • Henrik Plenge Jakobsen
    If the People Have No Bread Let Them Eat Cake, 2002

  • Carolina Falkholt
    Train of Thoughts, 2017

  • William Forsythe
    Nowhere and Everywhere, 2015

  • Maria Hassabi
    PLASTIC, 2016

  • Sonia Khurana
    Logic of Birds, 2006

  • Eric Lennarth
    Miljöaktiverare,
    1987–2017

  • Éva Mag
    Hinder, 2017

  • Mammalian Diving Reflex
    These Are the People in Your Neighbourhood, 2012

  • One-Minute Sculpture, 2017

  • Peter Mills
    Den kosmiska havsträdgårdspassagen, 2017

  • Henrik Plenge Jakobsen
    If the People Have No Bread Let Them Eat Cake, 2002

ABOUT

Wanås Konst – Center for Art & Learning, presents and communicates contemporary art that challenges and redefines society, working outside in the landscape around Wanås in Skåne, southern Sweden. The permanent collection in the sculpture park is complemented with a program of temporary exhibitions, both outdoors and in the Art Gallery, and events such as guided tours, artists’ talks, performances and workshops engaging a wide audience. The learning activities are extensive and growing.

Wanås Konst produces site-specific international art and learning in an innovative and accessible way. The collection in the sculpture park has 70 permanent works, created specifically for The Wanås Foundation – Wanås Konst by artists such as Nathalie Djurberg & Hans Berg, Ann Hamilton, Jenny Holzer, Yoko Ono and Robert Wilson et al. The sculpture park has approximatly 75 000 visitors per year and 9000 children take part in educational activities. Wanås Konst is run by The Wanås Foundation, a non-profit foundation created in 1994, in Östra Göinge municipality, in the South of Sweden, 1.5 h from Copenhagen, Denmark. Founding Director Marika Wachtmeister initiated the art projects at Wanås in 1987. Since 2011 the foundation is led by Elisabeth Millqvist and Mattias Givell. Wanås Konst is part self-financed, part supported by state, regional and municipal funding, as well as by private foundations and sponsors.

Wanås is a place in the world where art, nature and history meet. Wanås consist of a medieval castle, an organic farm, a scenic sculpture park and an art gallery in southern Sweden as well as the newly opened Wanås Restaurant Hotel. Wanås Konst is part of European Land + Art Network (ELAN) and Wanås is a Long Run Destination – a leader in sustainable development within the tourism industry, community development and cultural management.

MISSION

Wanås Konst produces and communicates art that challenges and changes the view of society.

VISION

Contemporary art and culture for all. Everyone—regardless of background, capacity or functional variation—should have access to the art and the experience.

CORE VALUES

Excellence and accessibility. Everything produced and conveyed should be of the highest quality and accessible to all.