• Chiharu Shiota
    Everywhere, 2018

  • Chiharu Shiota
    Relationality, 2018

  • Katarina Löfsröm
    Open Source (Cinomatoscope), 2018

  • Poul Gernes
    Pyramide, 2018

  • Hannelie Coetzee
    Ou sog tussen bome Old sow between the trees, 2015

  • Marianne Lindberg De Geer
    And the Wind Cries Mary, 2017

  • Melissa Martin
    Dining Room, 2006

  • Molly Haslund
    Three Double Wall Bars for minimal movements Coordination Model 6, 2014

  • Pal Svensson
    Sprungen ur, 1996

  • Robert Wilson
    A House for Edwin Denby, 2000

  • Yoko Ono
    Wish Trees for Wanås, 1996 - 2011

  • Chiharu Shiota
    Everywhere, 2018

  • Chiharu Shiota
    Relationality, 2018

  • Katarina Löfsröm
    Open Source (Cinomatoscope), 2018

  • Poul Gernes
    Pyramide, 2018

  • Hannelie Coetzee
    Ou sog tussen bome Old sow between the trees, 2015

  • Marianne Lindberg De Geer
    And the Wind Cries Mary, 2017

  • Melissa Martin
    Dining Room, 2006

  • Molly Haslund
    Three Double Wall Bars for minimal movements Coordination Model 6, 2014

  • Pal Svensson
    Sprungen ur, 1996

  • Robert Wilson
    A House for Edwin Denby, 2000

  • Yoko Ono
    Wish Trees for Wanås, 1996 - 2011

  • Chiharu Shiota
    Everywhere, 2018

  • Chiharu Shiota
    Relationality, 2018

  • Katarina Löfsröm
    Open Source (Cinomatoscope), 2018

  • Poul Gernes
    Pyramide, 2018

  • Hannelie Coetzee
    Ou sog tussen bome Old sow between the trees, 2015

  • Marianne Lindberg De Geer
    And the Wind Cries Mary, 2017

  • Melissa Martin
    Dining Room, 2006

  • Molly Haslund
    Three Double Wall Bars for minimal movements Coordination Model 6, 2014

  • Pal Svensson
    Sprungen ur, 1996

  • Robert Wilson
    A House for Edwin Denby, 2000

  • Yoko Ono
    Wish Trees for Wanås, 1996 - 2011

  • Chiharu Shiota
    Everywhere, 2018

  • Chiharu Shiota
    Relationality, 2018

  • Katarina Löfsröm
    Open Source (Cinomatoscope), 2018

  • Poul Gernes
    Pyramide, 2018

  • Hannelie Coetzee
    Ou sog tussen bome Old sow between the trees, 2015

  • Marianne Lindberg De Geer
    And the Wind Cries Mary, 2017

  • Melissa Martin
    Dining Room, 2006

  • Molly Haslund
    Three Double Wall Bars for minimal movements Coordination Model 6, 2014

  • Pal Svensson
    Sprungen ur, 1996

  • Robert Wilson
    A House for Edwin Denby, 2000

  • Yoko Ono
    Wish Trees for Wanås, 1996 - 2011

Staff & Contact

ADDRESS

Postal address
Wanås Konst / The Wanås Foundation
P.O. Box 67
289 21 Knislinge
Sweden

Visiting Address
Wanås Konst / The Wanås Foundation
Vanås
289 90 Knislinge
Sweden

Phone and E-mail
Phone office: +46 (0)44 660 71
Phone art gallery: +46 (0)44 253 15 68
Fax: +46 (0)44 660 18
E-mail: info[at]wanaskonst.se

STAFF

Co-Director / Artistic Director
Elisabeth Millqvist: elisabeth.millqvist[at]wanaskonst.se

Co-Director / Development Director
Mattias Givell: mattias.givell[at]wanaskonst.se

Curatorial Assistent & Project Assistent (on leave)
Filippa Forsberg: filippa[at]wanaskonst.se

Education
Elin Magnusson: elin[at]wanaskonst.se

Special Projects
Malin Gustavsson: malin[at]wanaskonst.se

Media & Communication
Sofia Bertilsson: press[at]wanaskonst.se
Phone: +46 (0)733 8668 20

Entrance & Shop
Kajsa Rolfsson: kajsa[at]wanaskonst.se

Accountant
Joakim Hansson: hansson[at]wanas.se
Phone: +46 (0)44 660 62

Assistant
Tina Hektor: tina[at]wanaskonst.se

Technician
Mikael Andersson: micke[at]wanaskonst.se

Maintainance
Jimmy Sandqvist: vaktmasteriet[at]wanaskonst.se
Stefan Jönsson: vaktmasteriet[at]wanaskonst.se
Eva Palm (garden & park): vaktmasteriet[at]wanaskonst.se
Jimmy Sandqvist: vaktmasteriet[at]wanaskonst.se

MISSION

Wanås Konst produces and communicates art that challenges and changes the view of society.

VISION

Contemporary art and culture for all. Everyone—regardless of background, capacity or functional variation—should have access to the art and the experience.

CORE VALUES

Excellence and accessibility. Everything produced and conveyed should be of the highest quality and accessible to all.