• Rana Begum
    No. 1066 Bricks, 2021

  • Rana Begum
    No. 1067 Tiles_S, 2021

  • Rana Begum
    No. 1068 Pipes_O, 2021

  • Martin Jacobson
    Katedralen, 2018

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • lsabel & Alfredo Aquilizan
    In Habit, 2021

  • Katarina Löfström
    Open Source, 2018

  • Rana Begum
    No. 1066 Bricks, 2021

  • Rana Begum
    No. 1067 Tiles_S, 2021

  • Rana Begum
    No. 1068 Pipes_O, 2021

  • Martin Jacobson
    Katedralen, 2018

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • lsabel & Alfredo Aquilizan
    In Habit, 2021

  • Katarina Löfström
    Open Source, 2018

  • Rana Begum
    No. 1066 Bricks, 2021

  • Rana Begum
    No. 1067 Tiles_S, 2021

  • Rana Begum
    No. 1068 Pipes_O, 2021

  • Martin Jacobson
    Katedralen, 2018

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • lsabel & Alfredo Aquilizan
    In Habit, 2021

  • Katarina Löfström
    Open Source, 2018

  • Katarina Löfström
    Open Source, 2018

  • Rana Begum
    No. 1066 Bricks, 2021

  • Rana Begum
    No. 1067 Tiles_S, 2021

  • Rana Begum
    No. 1068 Pipes_O, 2021

  • Martin Jacobson
    Katedralen, 2018

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

  • lsabel & Alfredo Aquilizan
    In Habit, 2021

  • Martin Jacobson
    Queen of F*cking Everything, 2021

Marit Roland

Dates

September 25 – December 19, 2021
Curator Malin Gustavsson

The autumn season starts September 25 with an exhibition by the Norwegian artist Marit Roland in Wanås Art Gallery. The artist builds a unique installation on site, where the paper plays the main role. The three-dimensional drawing cannot be moved and is displayed exclusively at Wanås Konst until it is time to go to recycling. Roland is educated at the Art Academy in Trondheim and the exhibition will be her first in Sweden.

MONUMENTAL BUT VULNERABLE

Monumental but vulnerable, this is how the Norwegian artist Marit Roland describes her paper creations. In the ongoing series Paper Drawings, Roland works with abstract, site-specific, sculptural drawings where she draws with paper instead of on paper. The sheets of paper, which are otherwise just substrates filled with ink, pencil or charcoal, may instead play the main role when Roland wrinkles, twists and folds to create shadows and lines in her three-dimensional drawings. The fragile works of art are perishable and after each exhibition they go to recycling and gets a new life after their time as art. Marit Roland describes her works: Paper Drawing is perishable and cannot be moved in its entirety. It can be made again, but will never be able to appear identically in two places. After the exhibition, the work is recycled and the paper gets a new life after its time as art.

Marit Roland has been drawing all her life, but when she was in her final year at the Art Academy in Trondheim, she felt that she was no longer developing and that she needed to find a new path. When she took down one of her large drawings from the wall, she suddenly saw the paper that now hung in a pin and formed a line on the otherwise empty wall. Her two-dimensional drawing had been transformed into a three-dimensional shape. Since then, Roland has worked in the expanded field of drawing with paper as her only material and allowed the process to become an essential part of her art. By working in new places, in new rooms, Roland is constantly challenged to develop new ways of creating her drawings. Her way of working requires minimal equipment and few demands on the place. The material and the tools she uses are available everywhere, something that is important for the artist who feels that she can always work with her art, no matter what the conditions look like.