• Butler/Lindgård
    Fras II & Score ll, 2019
    March 2 – April 28

  • Birgitta Silfverhielm
    Rum, 1994

  • Butler/Lindgård
    Nipple Rug, 2018

  • Gloria Friedmann
    Stigma, 1991

  • Jene Highstein
    Grey Clam, 1990

  • Jenny Holzer
    Wanås Wall, 2002

  • Malin Holmberg
    I Will Stop Loving You, 2010

  • Marina Abramovic
    Hunt Chair for Animal Spirits, 1998

  • Sarah Schwartz
    Reflexion, 1989

  • Wanås Konst
    Wanås, 2019

  • Wanås Konst
    Wanås, 2019

  • Butler/Lindgård
    Fras II & Score ll, 2019
    March 2 – April 28

  • Birgitta Silfverhielm
    Rum, 1994

  • Butler/Lindgård
    Nipple Rug, 2018

  • Gloria Friedmann
    Stigma, 1991

  • Jene Highstein
    Grey Clam, 1990

  • Jenny Holzer
    Wanås Wall, 2002

  • Malin Holmberg
    I Will Stop Loving You, 2010

  • Marina Abramovic
    Hunt Chair for Animal Spirits, 1998

  • Sarah Schwartz
    Reflexion, 1989

  • Wanås Konst
    Wanås, 2019

  • Wanås Konst
    Wanås, 2019

  • Butler/Lindgård
    Fras II & Score ll, 2019
    March 2 – April 28

  • Birgitta Silfverhielm
    Rum, 1994

  • Butler/Lindgård
    Nipple Rug, 2018

  • Gloria Friedmann
    Stigma, 1991

  • Jene Highstein
    Grey Clam, 1990

  • Jenny Holzer
    Wanås Wall, 2002

  • Malin Holmberg
    I Will Stop Loving You, 2010

  • Marina Abramovic
    Hunt Chair for Animal Spirits, 1998

  • Sarah Schwartz
    Reflexion, 1989

  • Wanås Konst
    Wanås, 2019

  • Wanås Konst
    Wanås, 2019

  • Butler/Lindgård
    Fras II & Score ll, 2019
    March 2 – April 28

  • Birgitta Silfverhielm
    Rum, 1994

  • Butler/Lindgård
    Nipple Rug, 2018

  • Gloria Friedmann
    Stigma, 1991

  • Jene Highstein
    Grey Clam, 1990

  • Jenny Holzer
    Wanås Wall, 2002

  • Malin Holmberg
    I Will Stop Loving You, 2010

  • Marina Abramovic
    Hunt Chair for Animal Spirits, 1998

  • Sarah Schwartz
    Reflexion, 1989

  • Wanås Konst
    Wanås, 2019

  • Wanås Konst
    Wanås, 2019

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MISSION

Wanås Konst produces and communicates art that challenges and changes the view of society.

VISION

Contemporary art and culture for all. Everyone—regardless of background, capacity or functional variation—should have access to the art and the experience.

CORE VALUES

Excellence and accessibility. Everything produced and conveyed should be of the highest quality and accessible to all.