• Chiharu Shiota
    Everywhere, 2018

  • Chiharu Shiota
    Relationality, 2018

  • Katarina Löfsröm
    Open Source (Cinomatoscope), 2018

  • Poul Gernes
    Pyramide, 2018

  • Hannelie Coetzee
    Ou sog tussen bome Old sow between the trees, 2015

  • Marianne Lindberg De Geer
    And the Wind Cries Mary, 2017

  • Melissa Martin
    Dining Room, 2006

  • Molly Haslund
    Three Double Wall Bars for minimal movements Coordination Model 6, 2014

  • Pal Svensson
    Sprungen ur, 1996

  • Robert Wilson
    A House for Edwin Denby, 2000

  • Yoko Ono
    Wish Trees for Wanås, 1996 - 2011

  • Chiharu Shiota
    Everywhere, 2018

  • Chiharu Shiota
    Relationality, 2018

  • Katarina Löfsröm
    Open Source (Cinomatoscope), 2018

  • Poul Gernes
    Pyramide, 2018

  • Hannelie Coetzee
    Ou sog tussen bome Old sow between the trees, 2015

  • Marianne Lindberg De Geer
    And the Wind Cries Mary, 2017

  • Melissa Martin
    Dining Room, 2006

  • Molly Haslund
    Three Double Wall Bars for minimal movements Coordination Model 6, 2014

  • Pal Svensson
    Sprungen ur, 1996

  • Robert Wilson
    A House for Edwin Denby, 2000

  • Yoko Ono
    Wish Trees for Wanås, 1996 - 2011

  • Chiharu Shiota
    Everywhere, 2018

  • Chiharu Shiota
    Relationality, 2018

  • Katarina Löfsröm
    Open Source (Cinomatoscope), 2018

  • Poul Gernes
    Pyramide, 2018

  • Hannelie Coetzee
    Ou sog tussen bome Old sow between the trees, 2015

  • Marianne Lindberg De Geer
    And the Wind Cries Mary, 2017

  • Melissa Martin
    Dining Room, 2006

  • Molly Haslund
    Three Double Wall Bars for minimal movements Coordination Model 6, 2014

  • Pal Svensson
    Sprungen ur, 1996

  • Robert Wilson
    A House for Edwin Denby, 2000

  • Yoko Ono
    Wish Trees for Wanås, 1996 - 2011

  • Chiharu Shiota
    Everywhere, 2018

  • Chiharu Shiota
    Relationality, 2018

  • Katarina Löfsröm
    Open Source (Cinomatoscope), 2018

  • Poul Gernes
    Pyramide, 2018

  • Hannelie Coetzee
    Ou sog tussen bome Old sow between the trees, 2015

  • Marianne Lindberg De Geer
    And the Wind Cries Mary, 2017

  • Melissa Martin
    Dining Room, 2006

  • Molly Haslund
    Three Double Wall Bars for minimal movements Coordination Model 6, 2014

  • Pal Svensson
    Sprungen ur, 1996

  • Robert Wilson
    A House for Edwin Denby, 2000

  • Yoko Ono
    Wish Trees for Wanås, 1996 - 2011

Art 2017

The exhibitions at Wanås celebrate 30 years and expand in time and space. The jubilee marks that time has passed, a movement from then to now. With the 2017 major exhibition SculptureMotion, Wanås Konst focuses on sculpture in motion and sculpture that invites to action. The groundbreaking US choreographer William Forsythe (USA/DE) serves as a starting point for the exhibition that also includes Carolina Falkholt (SE), Henrik Plenge Jakobsen (DK) Sonia Khurana (IN), and Éva Mag (SE). Opening May 7, 2017.

The art gallery opened on April 14 with the exhibition Revisit 1987—a deep dive in photos, films and other archive material, turning back time to the first exhibition, and recreating a monumental work in the park by Eric Lennarth from 1987.

In the fall and winter, new projects open with Jennifer Forsberg (SE), and during the autumn holiday there will be a ceramics workshop—Wanås Konst expands the season and does not close until Christmas.

MISSION

Wanås Konst produces and communicates art that challenges and changes the view of society.

VISION

Contemporary art and culture for all. Everyone—regardless of background, capacity or functional variation—should have access to the art and the experience.

CORE VALUES

Excellence and accessibility. Everything produced and conveyed should be of the highest quality and accessible to all.