• Beatrice Alemagna
    Vi går till parken, 2019

  • Martin Jacobson
    Katedralen, 2018

  • Jenny Holzer
    Wanås Wall, 2002

  • Katarina Löfström
    Open Source, 2018

  • Malin Holmberg
    I will stop loving you, 2010

  • Sarah Schwartz
    Mother, 1990

  • Beatrice Alemagna
    Vi går till parken, 2019

  • Martin Jacobson
    Katedralen, 2018

  • Jenny Holzer
    Wanås Wall, 2002

  • Katarina Löfström
    Open Source, 2018

  • Malin Holmberg
    I will stop loving you, 2010

  • Sarah Schwartz
    Mother, 1990

  • Beatrice Alemagna
    Vi går till parken, 2019

  • Martin Jacobson
    Katedralen, 2018

  • Jenny Holzer
    Wanås Wall, 2002

  • Katarina Löfström
    Open Source, 2018

  • Malin Holmberg
    I will stop loving you, 2010

  • Sarah Schwartz
    Mother, 1990

  • Beatrice Alemagna
    Vi går till parken, 2019

  • Martin Jacobson
    Katedralen, 2018

  • Jenny Holzer
    Wanås Wall, 2002

  • Katarina Löfström
    Open Source, 2018

  • Malin Holmberg
    I will stop loving you, 2010

  • Sarah Schwartz
    Mother, 1990

Art Projects 2022

Where does anything actually begin?

Exhibition Period

Sept 10 – Nov 4, 2022
Opening Sept 10, 10 am – 5 pm. Inauguration at 1.30 pm by Mattias Givell, Director, and artists present
Curators Mattias Givell & Elisabeth Millqvist

PLEASE NOTE: Parts of the exhibition Where does anything actually begin? is graphic and can be triggering. We encourage adults with small kids to look ahead. Please talk to our hosts if you have questions.

Where does anything actually begin?

Christer Strömholm is one of Swedens most well-known and appreciated photografers. His breakthrough came during the 1950s with his pictures from Paris, not least the portraits of transsexuals at Place Blanche. In Where does anything actually begin? the focus is instead on parts of his other production. Different lines and traces within his rich pictorial world are reflected through internationally strong artistry; Annika Elisabeth von Hauswolff, Aziz Hazara, Gosette Lubondo, Eric Magassa and Eiko Otake with William Johnston. Connections between the work in the exhibition emerge in different ways; new tracks, new lines link the past and the present. The photos are presented outdoors in Wanås beech forest park.

The exhibition is made in collaboration with Strömholm Estate.